'They Say' by Crispin Sturrock is a powerful abstract painting that delves into the themes of trust, confusion, and the influence of external forces on the psyche of the innocent. The painting depicts a small girl kneeling amidst a sea of abstract and designative characters, with gun barrels protruding from their minds pointing towards her. This image is a potent symbol of the fear and vulnerability felt by those who do not fully understand the world around them.

The layers and colours used in 'They Say' tell a deeper story of the confusion and disorientation experienced by the girl. The layers of paint and texture create a sense of depth and complexity, mirroring the intricate and often contradictory information that bombards us every day. The use of bold colours such as red and black creates a sense of urgency and danger, adding to the feeling of unease and uncertainty.

Sturrock's painting is a powerful commentary on the state of our society, where information and misinformation are constantly being disseminated and where the innocent are often caught in the crossfire. 'They Say' challenges us to question the sources of our beliefs and to remain vigilant against the forces that seek to manipulate us.

Overall, 'They Say' is a compelling work of art that speaks to the human experience in a profound and thought-provoking way. Through its use of abstract forms and vivid colours, it invites us to contemplate the complexities of our world and the challenges we face in navigating it with integrity and authenticity.

Crispin Sturrock's acrylic and oil painting entitled ‘Lee Alexander McQueen’ is a stunning portrayal of the late fashion designer, exploring the intricacies of his mind and his creative genius. McQueen was a young prodigy from nowhere, someone who was seemingly destined to fail but instead rose to fame and captured the world's attention with his dark and mesmerising catwalk shows.

Sturrock's painting captures the essence of McQueen's mind and his ability to create with ease, blending the colours of yellow, white, and black in the canvas to represent his daily struggle in the fashion world. The painting also incorporates the colour red to symbolise the drugs, sex, and absurdity that

surrounded McQueen's life.

The artist spent countless hours researching McQueen's life and work, delving deep into his history and achievements. The resulting painting is a testament to McQueen's genius and an acknowledgment of the many high-quality designs and creations he brought to the fashion industry before his untimely death.

Through this painting, Sturrock invites us to delve into the life of a man who was not only a fashion icon but also a complex individual with a fascinating mind. ‘Lee Alexander McQueen’ is an ode to the designer's life and legacy, a work of art  that captures the essence of a man who transformed the world of fashion and continues to inspire creativity to this day.

Crispin Sturrock's abstract painting in acrylic and oilstick is a stunning merging of two great artists who experienced the horrors of war first-hand - Francisco Goya and Pablo Picasso. By combining Goya's "The Third of May 1808" and Picasso's "Massacre in Korea 1950", Sturrock creates a powerful and thought-provoking artwork that speaks to the enduring impact of war on human life.

The painting's background is a complex mixture of vibrant colours that are full of layered motifs of anguish from both paintings. The use of vibrant colours creates a sense of chaos and violence that speaks to the horrors of war, while the layered motifs suggest a deeper emotional complexity that underscores the work's message.

At the centre of the painting is an innocent naked female mother character standing, representing the love, strength, and beauty that God gave the earth in the form of women. This mother character sees the horrific war from the man's perspective, and her presence in the painting highlights the devastating impact of war on innocent civilians, especially women and children.

The painting is a statement of peace and a call for all humanity to recognise the futility and devastation of war. It urges viewers to contemplate the idea that war is nothing, but the fear and weakness built into man. By presenting the viewer with a powerful and emotionally resonant image, Sturrock's work encourages us all to think deeply about the cost of war and to strive for a more peaceful world where the beauty of life can be celebrated without the shadow of conflict.

The large abstract acrylic painting, ‘G.B. America - Space Cowboy,’ by Crispin Sturrock, captures a complex moment in history where cultural exchange between the indigenous people and the settlers was not always harmonious. The painting is a testament to the layers of symbols and motifs that reflect the intricate relationships between the two cultures.

At the centre of the painting is a large figure reaching out to an indigenous tribe, symbolising the moment when the character first encountered the American tribe. However, as the painting unfolds, it becomes apparent that there is a deeper narrative at play, one that reveals the complexities of cultural exchange and the nuances of power dynamics.

The layers of symbols and motifs in the painting invite the viewer to explore the themes of colonialism, power, and cultural exchange. The image of the character reaching out to the indigenous tribe is juxtaposed against other symbols, such as the depiction of the background, which hint at their dominant position in the encounter. The image of the indigenous tribe also seems to be in motion, as if they are moving away from the figure, suggesting a reluctance to engage with the settlers.

The painting's title, ‘G.B. America - Space Cowboy,’ also highlights the role of Britain in the colonisation of America and its lasting impact on the country. The painting's inclusion of the Plymouth Colony and the First Thanksgiving alludes to the cultural legacy of the Pilgrims in American history, while the depiction of the Pokanoket tribe and their interactions with the Pilgrims challenges traditional narratives of American history.

Overall, ‘G.B. America – Space Cowboy’ by Crispin Sturrock is a thought-provoking work of art that invites viewers to reflect on the complexities of cultural over human exchange and the nuances of power dynamics in historical encounters between different cultures. The painting challenges traditional narratives of American history and highlights the ongoing legacies of colonisation and cultural exchange that continue to shape our world today.

Playlist for #010 ECDYSIAST MAGNUM MA

'Ecdysiast' is a large canvas abstract acrylic work that delves into the world of clubs and their erotic environment. The main theme of the artwork is the pursuit of pleasure.

The artwork, set in a club where the audience is made up of distinguishable characters from the artist Crispin Sturrock. The piece invites the viewer into a world of secrets, riddles, and motifs, with a play on the Vagina as part of the setting. The stripper takes centre stage on the canvas, and her lust of gentlemen admirers looks on in an "evo-stick haze," intoxicated by the pleasure and excitement of the performance.

Invoking the viewer's senses, depicting a hedonistic lifestyle of jets, sex, champagne, cigars, alcohol, drugs, and intoxicating happiness. The play on the vagina as part of the setting creates a provocative and sensual atmosphere, inviting the viewer to explore their own relationship with pleasure.

'Ecdysiast' is fabricated to provide an ongoing presence of movement with action, capturing the essence of an abstract striptease performance and the pursuit of pleasure. The abstract style of the artwork allows for a deeper exploration of the theme, inviting the viewer to interpret the artwork in their own way.

Overall, 'Ecdysiast' is a bold and provocative artwork that challenges our relationship with pleasure and invites us to explore the world of striptease and exotic dancing. It is a celebration of the pursuit of pleasure and the human desire for excitement, sensuality, and the forbidden.

'End of round one' is an abstract acrylic painting on canvas that depicts the harsh reality of a city driven by finance and greed, a dog-eat-dog environment where currency is king, and where the great global reset is imminent. The story of the painting centres around the public of the city, with an entering figure from the right, representing the real power, ready to strike and crush anyone or anything that gets in its way. This figure has no regard for the suffering of others or the destruction of the planet that sustains us.

The subject of the painting is not just the lack of money for those who have vast wealth, but the continual need for control and money at any cost. 'End of round one' is a commentary on the destructive nature of power and the pursuit of wealth, which often comes at the expense of others and the environment. The painting speaks to the great divide that is occurring in our society and the struggle for power and control.

The abstract style of the artwork allows for a deeper exploration of the theme, inviting the viewer to interpret the painting in their own way. The colours and brush strokes create a sense of urgency and chaos, reflecting the frenzied pursuit of power and control that dominates the city.



Crispin Sturrock's 'End of round one' is a powerful statement about the impact of greed and power on society and the environment. It challenges us to think critically about our own relationship with power and control and the systems that drive our society. The painting serves as a warning, urging us to prioritise the well-being of people and the planet over the accumulation of wealth and power.

'I Hamlet' is a visual exploration of the complex and multifaceted character of Hamlet as portrayed in William Shakespeare's play, as well as its modern interpretations. Through layers of scarlet and pink acrylic, emblems, messages, and motifs, the work embodies the emotional turmoil and internal conflicts that Hamlet experiences throughout the play.

Drawing from the tragedy of the Prince of Denmark, 'I Hamlet' presents a contemporary interpretation of Hamlet's struggle with the weight of the world on his shoulders. The use of emblems, messages, and motifs throughout the composition serve as a visual representation of Hamlet's inner turmoil and the societal pressures he faces.

The work also incorporates elements from Bruce Robinson's adaptation of the character in his 1969 film 'Withnail and I,' particularly in the black comical interpretation of the character as 'Marwood.' This layer adds a contemporary and ironic twist to the work, highlighting the timeless relevance of Hamlet's character and the enduring impact of Shakespeare's play.

Overall, 'I Hamlet' seeks to capture the essence of one of Shakespeare's most complex and enduring characters, while also exploring the contemporary relevance of his story. Through a striking and emotive visual language, the work invites viewers to contemplate the timeless themes of identity, morality, and the human condition that lie at the heart of Hamlet's story.